Review: Celer – Without Retrospect, the Morning
Glacial Movements Records – GM015 (CD) Time: 52:13
Artist Websites: http://thesingularwe.org/celer/ & http://celer.bandcamp.com/music
Record Label: http://www.glacialmovements.com/ & https://soundcloud.com/glacial_movements
Tracks: 1) Holdings of Electronic Lifts; 2) A Small Rush into Exile; 3) Dry and Disconsolate; 4) Variorum of Hierophany; 5) A Landscape Once Uniformly White; 6) Distance and Mortality; 7) With Some Effort, the Sunset;
Although not as indiscriminate as is denoted by the term, I am often a completist when it comes to collecting the works of selected authors and musicians. Yet, I would be hard-pressed, given his massive output of creative work, to even begin to collect all the music of Will Long in the guise of Celer. By now, I probably have a dozen or so of Celer’s recordings, but if I had to recommend one and only one recent work, it might just be this almost mystical and entrancing album. I’m also drawn to this release since it fulfills one of the most significant inspirations for why I listen to music—it takes me somewhere, and the images and sensations are vivid.
This is the third work in a trilogy based on water (to some, water symbolizes comfort and freedom). The two previous albums are Cursory Asperses (2008) and Escaping Lakes (2009)—the former alluding to the slow movements of small streams and the latter to the calmer depths. The music on this album being inspired in part by Will’s trip to southern Alberta in 2009 (documenting the wilderness in photographs for a local Park Service).
Without Retrospect, the Morning is different from the first two in the series in that it has distinct tracks (versus a continuous thread of sound) and it captures water (or the sense of it) in a different state—a chilled desolation, at times at the edge of an existence where the potential energy is stored and released ever so sparingly in a landscape yearning for Sun and warmth. It’s therefore appropriate that this album landed at the Glacial Movements record label, a self-proclaimed “glacial and isolationist ambient” label. I also appreciate that the recording has been mastered with a softness that retains the intricate clarity of the many layers of sound buried in the crystalline strata (to heck with the loudness wars!). There are also hidden sonic depths, and some passages might be felt before they are heard (as in Dry and Disconsolate).
A lateral effect of this CD is that it triggers (for me) some pleasant, albeit quirky, sonic memories from long ago. I’m a fan of the original 1960s Star Trek. There was some great incidental music and ambient sounds used in that series that, to my ears, are recalled in a track like Distance and Mortality (see if you hear the resonance of the wind from the pilot episode, The Menagerie or the sound of the transporter beam).
Distance and Mortality
So find a quiet room, bundle-up, get comfortable, and explore stunning breadth of this vast hyperborean landscape. Just remember to turn the volume back down on your amplifier before you change the sources on your preamp or pop-in another CD.
A List Too Small – My Favorites of 2012
Thank you to all the artists and record labels for such wonderful and diverse music.
This is one list of many, it’s my list, and it leaves off many other favorites that I have enjoyed over the year in addition to the thousands of other albums and single tracks that make up music throughout the World. What has helped me arrive at this list is what I have always loved about music: Does it move me? In addition, is it creative, well recorded and produced with a degree of care that makes me pay attention to it? There was a time when I was obsessed with highly produced and tightly engineered works, then I learned about artists such as East River Pipe and Sparklehorse, and many other genres of music were opened to me.
If you don’t see your favorite album on this list (or even your own album), it doesn’t mean a thing. If an album has been reviewed on my website this year, it’s meaningful to many others and me, but this is only a very, very small slice of the music world. Often people ask me about new music, and what I recommend. When I started this website in late January, 2012 it was first a means to write about music that I enjoyed, but also to get to know other artists and learn about new music that they create, so I could pass it on. Often, the best new music is that referred by a friend. Please feel free to send me your comments and recommendations.
Special note: There are still three or four late 2012 releases that are either enroute to me, have yet to be released or have just arrived. I need to spend proper time listening to and absorbing these albums. Rather than delaying this list further, and if after listening to those last 2012 releases I feel that they hit a sweet spot, I’ll review those albums in early 2013. I know of at least two 2012 releases that I’ll likely not receive until 2013.
I have three categories: Albums (12), Individual Tracks (6), and Special Releases (3) that don’t necessarily fit into a category.
Albums (Artist – Album Title – Record Label)
1) Twigs & Yarn – The Language of Flowers – Flau
2) Lambchop – Mr. M – Merge Records
3) Zammuto – Zammuto – Temporary Residence
4) Steve Hackett – Genesis Revisited II – Inside Out Music
5) Taylor Deupree – Faint – 12k
6) Billow Observatory – Billow Observatory – Felte
7) Gareth Dickson – Quite A Way Away – 12k
8) Pill-Oh – Vanishing Mirror – Kitchen. Label
9) Brambles – Charcoal – Serein
10) Almost Charlie – Tomorrow’s Yesterday – Words On Music
11) Cody ChesnuTT – Landing On A Hundred – One Little Indian
12) Stick Men – Deep – Stick Men Records
Individual Tracks (from other albums)[vimeo http://vimeo.com/46499688]
1) Library Tapes – Sun peeking through (from the album Sun peeking through) – Self Released
2) Cock & Swan – Orange & Pink (from the album Stash) – Lost Tribe Sound
3) Alex Tiuniaev – Daylight (from the album Blurred) – Heat Death Records
4) Kyle Bobby Dunn – In Praise of Tears (from the album In Miserum Stercus) – Komino
5) Kane Ikin & David Wenngren – Chalk (from the album Strangers) – Keshhhhhh
6) Olan Mill – Bleu Polar (from the album Paths) – Fac-ture
1) Celer & Machinefabriek: Maastunnel/Mt. Mitake, Numa/Penarie, Hei/Sou – Self Released
2) Birds Of A Feather: Michael Frommer – The Great Northern Loon, Porya Hatami – The Black Woodpecker, Darren McClure – The Black Kite, The Green Kingdom – The Great Blue Heron – Flaming Pines
3) Simon Scott, Corey Fuller, Marcus Fischer, Tomoyoshi Date and Taylor Deupree (Recorded live in Japan October, 8, 2012) – Between (…The Branches) – 12k
Record Labels Noted Above
Merge Records: http://www.mergerecords.com/
Temporary Residence LTD: http://temporaryresidence.com/
Inside Out: http://www.insideoutmusic.com/
Kitchen. Label: http://www.kitchen-label.com/
Words On Music: http://www.words-on-music.com/
One Little Indian: http://indian.co.uk/shop/landing-on-a-hundred-1.html
Stick Men Records: http://stick-men.net
Library Tapes: http://librarytapes.com/
Lost Tribe Sound: http://www.cockandswan.com/ Note: I have not listed the weblink to the record label as Google has noted that the website MAY be compromised.
Heat Death Records: http://www.heatdeathrecords.co.uk/
Kesh (Simon Scott’s label): http://www.keshhhhhh.com/
Machinefabriek & Celer: http://machinefabriek.bandcamp.com/ & http://www.thesingularwe.org/fs/
Flaming Pines: http://flamingpines.com/