Album Review: Zinovia – The Gift of Affliction
Tympanik Audio: CD TA079 Time: About 49 minutes
Music – Zinovia [Arvanitidi]: www.facebook.com/ZinoviaMusic
Label – Tympanik Audio: www.tympanikaudio.com/artists/zinovia
Artwork – Shift: http://www.futurorg.com/
Available at: http://tympanikaudio.bandcamp.com/album/the-gift-of-affliction
Mastered by Alexander Dietz Mixed by John Valasis
Tracks: 1) The Blue Shade Of Dawn Covered Your Skin, 2) Communicating Vessels, 3) Chimera, 4) Entangled, 5) Emerge To Breathe, 6) Attached, Our Eyes Wide Open, 7) Sucking The Smoke From Your Lips, 8) Beneath A Stellar Sky, 9) A Time To Make Amends
I suspect that most of us live pretty ordinary lives, but every once in a while finding oneself on the cusp of an adventure seems rather tempting. A while back, author David Schickler wrote a book Kissing in Manhattan; it’s mysteriously haunting and strange—as if eavesdropping on people, places and their situations; the kinds of experiences that only happen to others. So, imagine arriving at home some night and seeing a note pinned to the door: “Meet me at ___ at 9 pm”, signed “___” (you fill in the blanks). Would you go?
I’ve mentioned it before: my strongest connection to music is when it takes me somewhere—whether an escape, a fantasy, to relax or to find a groove, and Zinovia’s The Gift of Affliction is a nearly perfect connection; even better, it’s beautifully recorded and produced. This album has the broad pulse of a city, its dark spaces and verve with occasional tender moments. It tells a story with many possible beginnings and endings.
First, I posit that the sounds in this album have a connection to the vast works of fellow Greek countryman Vangelis Papathanassiou (listen to his 1990 album The City, and passages in the dark soundtrack to the film Bladerunner)—if only for historical influences or connections, yet Zinovia’s album has a clear and freshly expressive voice of its own. I also wonder, given the recent political and economic times in Greece, if there are any political undertones or foreboding woven into the narrative.
Second, I am most familiar with Zinovia Arvanitidi’s recent collaboration (on Kitchen Label) with Hior Chronik as the duo Pill-Oh, their Kitchen Label release Vanishing Mirror was a favorite of mine in 2012. I love the reflective track Melodico. It’s a compassionate album, but The Gift of Affliction is quite different in every way, except in the strong musicianship and production.
Throughout the entire album there is a constant shift from the ethereal to the grounded, reality to fantasy, electronic to acoustic; and as quickly as we are in a sonically amorphous zone, the vibe moves from solitary to a full ensemble of electronica or jazz undertones—a genre-bending and cohesive swirl.
It could be late at night or in the early hours of a morning; from the first plaintive beats of The Blue Shade Of Dawn Covered Your Skin all the characters are furtively introduced into the narrative with an broad ambience, beats, melodica and piano (the latter two, perhaps being the voices of the main characters). Unexpected sounds enter and vanish in Communicating Vessels; there is movement of people, vehicles and information in this new place, yet despite all the motion there is a comforting presence of the familiar (the recurrent melodica and piano). One doesn’t want to be swept-away too quickly. But adventures are not without complications, but why not enjoy the ride?
The mythic shift begins in Chimera, a fantasy of sound and voices, expansive, getting absorbed into the experience and the implausible. Momentary introspection follows in Entangled—the deep and centered beats, one of the most absorbing (and longest) tracks on the album—I think my favorite too. The narrating melodica returns, in conversation with the piano, they weave into each other, in and out of the pulse. Emerge To Breathe is a shift from interiors to exteriors, traveling, sounds of rails and stations (like Kraftwerk’s Europe Endless, but more ominous).
Attached, Our Eyes Wide Open is the darkest and most vulnerable of scenes on the album, yet there is an alluring comfort in the melody of a solo piano (with string accompaniment). Key shifts are slowly introduced, along with an emotional realism and sense of doubt, yet still one is drawn further into the fantasy of…
…Sucking The Smoke From Your Lips and its out-of-focus depth of field with moving colored lights—a sonic tilt-shift in a smoky jazz club with the liberation of dream-like voices. The adventure nears its end with Beneath A Stellar Sky, out in the open, holding onto the escape. It’s a reluctant emergence and one last taste of the vibrations of the night. A Time To Make Amends is the return from fantasy, the pensive melancholy, with a reflective and intimate close, accentuated all the more with the sounds of the internal workings of Zinovia’s piano.
In case you’re wondering, I did take the note from my door and went on the adventure, and you should too.
This is a solicited review.
A List Too Small – My Favorites of 2012
Thank you to all the artists and record labels for such wonderful and diverse music.
This is one list of many, it’s my list, and it leaves off many other favorites that I have enjoyed over the year in addition to the thousands of other albums and single tracks that make up music throughout the World. What has helped me arrive at this list is what I have always loved about music: Does it move me? In addition, is it creative, well recorded and produced with a degree of care that makes me pay attention to it? There was a time when I was obsessed with highly produced and tightly engineered works, then I learned about artists such as East River Pipe and Sparklehorse, and many other genres of music were opened to me.
If you don’t see your favorite album on this list (or even your own album), it doesn’t mean a thing. If an album has been reviewed on my website this year, it’s meaningful to many others and me, but this is only a very, very small slice of the music world. Often people ask me about new music, and what I recommend. When I started this website in late January, 2012 it was first a means to write about music that I enjoyed, but also to get to know other artists and learn about new music that they create, so I could pass it on. Often, the best new music is that referred by a friend. Please feel free to send me your comments and recommendations.
Special note: There are still three or four late 2012 releases that are either enroute to me, have yet to be released or have just arrived. I need to spend proper time listening to and absorbing these albums. Rather than delaying this list further, and if after listening to those last 2012 releases I feel that they hit a sweet spot, I’ll review those albums in early 2013. I know of at least two 2012 releases that I’ll likely not receive until 2013.
I have three categories: Albums (12), Individual Tracks (6), and Special Releases (3) that don’t necessarily fit into a category.
Albums (Artist – Album Title – Record Label)
1) Twigs & Yarn – The Language of Flowers – Flau
2) Lambchop – Mr. M – Merge Records
3) Zammuto – Zammuto – Temporary Residence
4) Steve Hackett – Genesis Revisited II – Inside Out Music
5) Taylor Deupree – Faint – 12k
6) Billow Observatory – Billow Observatory – Felte
7) Gareth Dickson – Quite A Way Away – 12k
8) Pill-Oh – Vanishing Mirror – Kitchen. Label
9) Brambles – Charcoal – Serein
10) Almost Charlie – Tomorrow’s Yesterday – Words On Music
11) Cody ChesnuTT – Landing On A Hundred – One Little Indian
12) Stick Men – Deep – Stick Men Records
Individual Tracks (from other albums)[vimeo http://vimeo.com/46499688]
1) Library Tapes – Sun peeking through (from the album Sun peeking through) – Self Released
2) Cock & Swan – Orange & Pink (from the album Stash) – Lost Tribe Sound
3) Alex Tiuniaev – Daylight (from the album Blurred) – Heat Death Records
4) Kyle Bobby Dunn – In Praise of Tears (from the album In Miserum Stercus) – Komino
5) Kane Ikin & David Wenngren – Chalk (from the album Strangers) – Keshhhhhh
6) Olan Mill – Bleu Polar (from the album Paths) – Fac-ture
1) Celer & Machinefabriek: Maastunnel/Mt. Mitake, Numa/Penarie, Hei/Sou – Self Released
2) Birds Of A Feather: Michael Frommer – The Great Northern Loon, Porya Hatami – The Black Woodpecker, Darren McClure – The Black Kite, The Green Kingdom – The Great Blue Heron – Flaming Pines
3) Simon Scott, Corey Fuller, Marcus Fischer, Tomoyoshi Date and Taylor Deupree (Recorded live in Japan October, 8, 2012) – Between (…The Branches) – 12k
Record Labels Noted Above
Merge Records: http://www.mergerecords.com/
Temporary Residence LTD: http://temporaryresidence.com/
Inside Out: http://www.insideoutmusic.com/
Kitchen. Label: http://www.kitchen-label.com/
Words On Music: http://www.words-on-music.com/
One Little Indian: http://indian.co.uk/shop/landing-on-a-hundred-1.html
Stick Men Records: http://stick-men.net
Library Tapes: http://librarytapes.com/
Lost Tribe Sound: http://www.cockandswan.com/ Note: I have not listed the weblink to the record label as Google has noted that the website MAY be compromised.
Heat Death Records: http://www.heatdeathrecords.co.uk/
Kesh (Simon Scott’s label): http://www.keshhhhhh.com/
Machinefabriek & Celer: http://machinefabriek.bandcamp.com/ & http://www.thesingularwe.org/fs/
Flaming Pines: http://flamingpines.com/
Some Recent Kitchen. Label Releases
Record Label Website: http://www.kitchen-label.com/
Soundcloud Page (Excerpts of Albums): http://soundcloud.com/kitchen-label/sets
Available at: http://www.darla.com/
I am always on the lookout for new music, especially from record labels that are doing something different, something special, and I don’t mind spending extra money for well crafted, limited or richly illustrated art editions. In a way, it’s my reaction against the trend of digital only releases, which include not only music, but e-books (I still prefer finely crafted, bound books).
I’ve missed some of Kitchen. Label’s earlier releases that have gone out of print, but to date I have acquired four albums from their US distributor, Darla (their first release being in 2008 and they are an outgrowth of their design firm Kitchen, founded in 2005). K.L is based in Singapore and specializes in releasing art-editions of talented emerging artists, and label founders Ricks Ang and April Lee take great care in all aspects of their work, from the engineering of the recordings to the diverse and creative designs.
ASPIDISTRAFLY – A Little Fable – Kl-007 – 2011
ASPIDISTRAFLY is composer and vocalist April Lee and producer Ricks Ang, and their work tells charming and delicate stories. Their second album A Little Fable was released in 2011 and it has the presence of a secret garden. I find the depth and airy quality of Homeward Waltz to be particularly enchanting–it’s like chamber music. Their first album I Hold A Wish For You was also released on K.L.
Landscape With A Fairy
FJORDNE – Charles Rendition – Kl-006 – 2011
FJORDNE is the solo project of Tokyo-based composer, Fujimoto Shunichiro. His work has a timeless richness that is brought to life with acoustic instruments and a laptop computer. Music for a quiet night of contemplation. Charles Rendition is his 5th album.
Pill-Oh – Vanishing Mirror – Kl-010 – 2012
Pill-Oh consists of electronic artist Hior Chronik and classical pianist Zinovia Arvanitidi, both from Greece have been working together since 2009. They each have established solo careers of composing for theater, film, documentaries, and art performances. Zinovia is recording her 2nd solo orchestral album, to be released within 2012. Their album Vanishing Mirror is like the soft and hopeful first-light of a spring day. The feeling is sometimes reflective, but not sentimental. In this music there is restful comfort along with accomplished musicianship. The track Melodico is my favorite.
Szymon Kaliski – From Scattered Accidents – KL-011 – 2012
Szymon Kaliski is a multi-media artist from Poland. From Scattered Accidents is his fourth album. His work combines familiar acoustic and invented instrumentation. His work has a tranquility that often evokes a suspension of time within a vast sonic depth of field.
Interlude I (with Peter Broderick)
The music at Kitchen. Label is never strident, but it can challenge some norms of straight-up ambient, post-classical or electro-acoustic genres. There are even some jazz influences (FJORDNE, especially), yet the compositions are often ethereal and filled with memories of nature and surroundings of daily life—rediscovering the forgotten in the familiar.