Review: Berserk! (Lorenzo Esposito Fornasari and Lorenzo Feliciati)
RareNoise Records CD RNR031 Time: 49:41 (vinyl soon and hi-res digital)
http://www.rarenoiserecords.com/berserk and www.facebook.com/berserkband
Tracks: 1) Macabre Dance, 2) Fetal Claustrophobia, 3) Blow, 4) Not Dead, 5) Clairvoyance, 6) First, 7) Dream Made Of Wind, 8) Wait Until Dark, 9) Latent Prints, 10) Dream Made Of Water
Band: Lorenzo Esposito Fornasari (Voice, Electronics, Organ, Guitar) and Lorenzo Feliciati (Electric and Upright Bass) with: Gianluca Petrella: Trombone & Effects (tracks 1,2,4,5,7,10), Fabrizio Puglisi: Piano & ARP Odyssey (6,8,9), Jamie Saft: Keyboards (1,2,9), Eivind Aarset: Guitars (3,4,7,9,10), Sandro Satta: Alto Sax (3,9), Cristiano Calcagnile: Drums & Effects (4,5), Pat Mastelotto: Drums & Effects (6,8,9), Simone Cavina: Drums (1,2)
Lorenzo Esposito Fornasari aka LEF and Lorenzo Feliciati form the core of Berserk!, along with some other familiar names in the RareNoiseRecords stable, including Feliciati’s fellow Naked Truth bandmate Pat Mastelotto.
We all need a venting catharsis now and then—some folks resort to primal scream therapy, but generally I’ll pick music to assist with exorcising my darkened bilious tendencies. The new self-titled album from Berserk! seems like an effective cure for those intractable days when the pile gets too deep and the unrelenting Myth of Sisyphus comes to mind. Despite the band and album moniker, there is a broad mix of dynamics in the album and it’s marked by many (nearly neck-snapping) contrasts in sound and rhythm.
Berserk! isn’t a broad spectrum motoric assault on the senses, but it deftly selects its points of release, building like a suspense thriller with the rage boiling over every so often. The album also teases and mocks (from the gently maniacal whistling in the opener Macabre Dance to the background telephone ringing in Fetal Claustrophobia…yes, I turned my head to see if my phone was ringing!). There’s also a brief moment of saxy playfulness (albeit dark) in the reflective interlude Blow before entering the backstreets and dark alleys of Not Dead (shades of the growling Tom Waits and Sparklehorse duet Dog Door from the 2001 album It’s A Wonderful Life) with raspy voices and clusters of percussion pushing against an unyielding darkness.
Feliciati’s bass work throughout the album is reminiscent of Percy Jones’s work with Brand X, particularly the earlier freer-form improvised and less commercial version of “The X”. The aggressive horns, meandering piano, fast-changing rhythms and moods (as in Fetal Claustrophobia) also remind me a great deal of one of my favorite King Crimson albums, Lizard (under-appreciated until Steven Wilson remastered it with Robert Fripp). The treatment of Gianluca Petrella’s horns throughout much of the album often sounds like the thundering Mellotron horns used in Lizard. The sharp inventive contrasts in instrumentation also remind me of Frank Zappa and early albums by Godley and Creme (as in the albums L and Freeze Frame). Yet, there’s little humor in Berserk!—the focus is strictly business.
The middle portion of the album is furtive and contemplative in spirit (like the tracks Clairvoyance and First) and eventually LEF’s vocals (sung here, not spoken) break through, channeling John Wetton. Note: Don’t forget to listen for R2D2. There’s a brief pause (the calm before the storm?) with ethereal atmospherics and horn work in Dream Made Of Wind before the closing section of the album begins with a tender solo piano largo and transition to a massed rhythmic vocal and ultimately a full band assault in Wait Until Dark leading into an alto sax ensemble of Latent Prints (the feeling of KC’s Lizard returns) and moves into a roaring full-clustered rip. The album closes with the ominously thunderous and raging vocal domination of Dream Made Of Water—there’s the Berserk!
Had a tough day in the trenches? Hold the rage at-bay (warn the neighbors, shut the doors and turn up the amp) and have a listen. I think you’ll feel better.
Lorenzo Feliciati and Lorenzo Esposito Fornasari – Courtesy of RareNoiseRecords
****
This is a solicited review.
In Rotation
Various albums are in rotation here at the moment, with some “classical” recordings (Bernard Herrmann, Aaron Copland and a Karajan rehearsal) on the way from an auction I recently bid on at Polyphony:
http://www.polyphonyrecordings.com/
Printed and online catalogs become available (every two or three months) and Lawrence Jones (the proprietor of Polyphony) conducts auctions as he has since 1978 (reel-to-reel tapes, LPs, books and other items). The recordings are each graded for condition (as well as the covers) and auditioned by Larry, so one can rest assured that they arrive as described and carefully packaged. Larry has many rare items and often entire recording collections become available, like a recent, almost complete collection of Camden label LPs, here:
http://www.polyphonyrecordings.com/camden_gallery.php
******
Before anyone thinks I’m listening only to ambient music these days, here’s a brief overview of things moving between turntables and CD players:
Medeski Scofield Martin & Wood – In Case The World Changes Its Mind (Live) – fabulous recording!
Van Der Graaf Generator – A Grounding In Numbers – It’s surprisingly good…and gritty.
Drums Between The Bells – Brian Eno and Rick Holland – The piece “Glitch” is remarkable, among others.
Nicholas Szczepanik – Ante Algo Azul – A twelve part suite of recordings along with artwork, custom sleeves and poetry that I am delving into now, fascinating.
Steve Wilson – Grace For Drowning – Excellent
Carolina Chocolate Drops – Luminescent Orchestrii (10″ 4 song vinyl EP)
Elizabeth Fraser – Moses (12″ vinyl EP) – I miss her voice from the days of Cocteau Twins
James Blake – his first eponymous double vinyl LP–really interesting and a (dynamically) challenging recording of great depth. With thanks to my son for getting this for me.
The Black Keys – El Camino – kicking some rock and roll and blues butt.
Yellow Birds – The Color
Fountains of Wayne – Sky Full of Holes – More finely crafted songs.
Tom Waits – Bad As Me – This album just rips.
Wire – Chairs Missing (revisiting a great album from 1978)
Montt Mardie – Skaizerkite – Really energetic songs (AKA David Olof Peter Pagmar) from Sweden.
The Bruford Tapes – From 1979, a reissued 2 channel FM broadcast by Bill Bruford and band.
Long Way Down – Soundtrack to the African motorcycle adventure taken by Ewan McGregor & Charley Boorman.
Leonard Cohen – Old Ideas – His 12th studio album…I’ve only heard excerpts and so far and I’m looking forward to this.
Michael Franks – Time Together (released in the summer of 2011) – some great songs from the humorous “Mice” to the heartfelt farewell to his family’s pup, Flora. Gil Goldstein’s arrangements on this are absolutely magical.
Trombone Shorty – For True – Get your funk on!
Taylor Deupree – his albums Shoals and Northern (on his 12K label), electronic/acoustic explorations, beautifully packaged.
Tomas Phillips + Mari Hiko – Prosa (on M. Ostermeier’s Tench label) – Dynamic recording and imagery.
John Zorn – The Gates of Paradise – inspired by the works of William Blake with John Medeski, Kenny Wollesen, Trevor Dunn and Joey Baron – A really beautiful, lyrical and mysterious work inspired by the mystic.
Martin Schulte (Marat Shibaev) – Silent Stars, Odysseia and Treasure – Atmospheric Techno
bvdub – Then – House, Techno, experimental and ambient
There just isn’t enough time in the day (nor money in the music budget). Anyone else have suggestions?
wajobu 