Twigs & Yarn – Still Forms Drift
Eilean Rec 88 CD Time: 40:53
Label: https://eileanrec.bandcamp.com/album/still-forms-drift and http://www.eilean-records.com/
More on Twigs & Yarn: http://www.twigsandyarn.net/
Tracks: Hibernate, Sonora, Channeling, Cave Bears, In the Valley, Lend a Hand, Laelaps, Floes
Lauren McMurray and Stephen Orsak are Twigs & Yarn, and on their previous album (The Language of Flowers, my favorite album of 2012), the duo created it over a great distance (between Japan and Texas). Their work presses all the right buttons for me: it’s inventive, tender, melodic, and at times unexpected. T&Y takes me on a new journey every time I listen, yet there’s an inexplicable familiarity that I find comforting. There is also a curious child-like quality of discovery in the music.
On April 5th, 2015, Twigs & Yarn did a live segment on KOOP Radio in Austin, Texas that was (thankfully) streamed over the internet, and T&Y noted they hope to release another album later in 2015. I will link to the recording of the program if it is posted by KOOP (EDIT: Here is the link to the entire program: https://www.mixcloud.com/fadetoyellow/episode-164-fade-to-yellow-still-forms-drift/).
Over the course of their new album, Still Forms Drift I wonder if there is an intentional arc of how the pieces were developed. I detect that the tracks move from more melodic to experimental, and from rhythmic to more atmospheric and subdued, so there is a nice combination of moods and progression on the album.
A layered sonorous hum opens and eases the listener into Hibernate; sounds eddy between the channels (headphone or speakers). The music builds gradually and blends into a delicate yet immersive fabric where voices and distant cloaked sounds are revealed. Sonora is absolute magic—so romantic, delicately rhythmic, playful and with a hint of some of Raymond Scott’s electronic experiments of the 1950s and 60s. As it progresses, there is increasing comfort, dissolving enmeshed sound, then melodic humming. Exploring the layers, with repeated listens is like a treasure hunt, but then just listen again and disappear into it. It’s like a tender and pleasurable whisper during a dream.
Channeling moves to the outdoors, contemplating with the fauna and environs, then dissolving into a trance of gentle guitar, voices and comforting pulses. Gradually, the reverie subsides and a gentle reality emerges. Cave Bears opens a bit like an antique bell-chime clock, steady and somewhat glitchy. Beats, shifted repeating sounds and guitar harmonics are added and the rhythm slows. In The Valley is another memory of place, although more ambient and disconnected compared to Channeling. There is a slight grittiness to it as it progresses, with sounds that are less tangible, as in the edge of a dream. Lend a Hand is a song with two different parallel veiled spirits; an expression of yearning that moves in and out of focus…one voice moves to the distance, but then returns; as if eavesdropping on a one-sided conversation weaving in and out of gentle waves of guitar and entwined low resonant hums…a slowly rocking boat in the doldrums.
Perhaps the most meditative (and curiously metallic) of the pieces is Laelaps. I speculate that it’s an evening of lying on the ground outdoors with gazes cast to the sky in contemplation. If I have my Greek mythology correct, it was Zeus who cast the dog Laelaps into the stars as Canis Major in pursuit of the Teumessian fox, Canis Minor. With a largo of synthetic electronic sounds and somewhat compressed voices Floes closes the album with hints of a lullaby reminiscent of a well-worn music box.
There is so much wonderful in this album, and I was instantly smitten.
This is a solicited review.
Autistici – Beneath Peaks
Hibernate Recordings – HB44: Time: 46:30 – Edition of 250
Record Label Website: http://hibernate-recs.co.uk
More on this release: http://hibernate-recs.co.uk/releases/autistici-beneath-peaks/
Artist Website: http://www.autistici.com/
1) Asleep Beneath Nests (Fieldhead); 2) Edall; 3) Mam Tor Soarers’ Workshop; 4) Styx; 5) Edge Over Millstone View; 6) Padley Gorge; 7) Noe (Upper Booth); 8) Mulgrave’s Dining-Room; 9) Aidale; 10) Peveril’s Open Door; 11) Sleep State For Carl Wark
Beneath Peaks (Autistici’s debut release on Hibernate Recordings) is an interpretive sound narrative of a walking and camping tour through the Peak District in the central UK; a luminous and expansive journey with a strong sense of place. The region is geologically diverse with moorland plateaus, expanses of millstone grit escarpments, limestone and demarking zones at the edges of the long-ago eroded strata. I have been fortunate to take long walks in similar places: Devon (The Burrows in Saunton) and on Exmoor in the southwestern UK, and Beneath Peaks is certainly an enticement to travel to this varied pastoral upland region.
Even before the music, I was struck by the hues, varying landscape and seemingly endless sky in the cover photo (quite similar to Exmoor in some respects). The photo is also illustrative of Autistici’s work, which ranges from outwardly expansive to inwardly minute explorations; the literal and abstract in a landscape that is both known yet still mysterious.
Instrumentation throughout the album is both recognizable and veiled, and includes piano, guitar, synthesizer and electronics, in addition to sculpted fragments of extensive field recordings captured during the trip (processed with the help of Christopher Hipgrave’s software module AMBIENT). Additional guitar on Edge Over Millstone View was provided by Erik Schoster.
Beneath Peaks is book-ended by two sleep-states: an awakening (the beginning of the journey at a campsite named Fieldhead) and a closing to slumber and inward contemplation (at the ancient Carl Wark). Throughout there is a deep sense of observation and contemplation, both in the literal field recordings and abstract sonic interpretations of the journey.
Asleep Beneath Nests (Fieldhead) is a deftly woven tapestry of field, avian and human sounds, rising with the sun (while human slumbers). Edall is the sound of breathing and pulsing; movement through this timeless area. Edall is a 16th century variant spelling of the village of Edale and was once known as the “Valley of the River Noe”; the start of the Pennine Way, a trail in this district. Mam Tor Soarers’ Workshop; starts in what appears to be in a woodworker’s shop. This is a region known for hang and para-gliding. As this track progresses, it transitions from being grounded to having a sense of weightlessness. The latter section (and I am speculating) appears to be a bit of an homage to Raymond Scott’s rhythmic and melodic electronic Bass-Line Generator (of 1967). Styx is a brief and quiet transition into Edge Over Millstone View. The sound is sharp and panoramic in contrast to other areas of rolling pasturelands elsewhere in this region (a reference to the geology, I speculate).
The rocky echoed sounds of Padley Gorge give the sense of passing through the deep narrow wooded valley near the village of Grindleford. Burbage Brook is at the base of the gorge. Noe (Upper Booth) is a small tributary to the River Derwent and forms a sonic respite before a pulsating encounter with Mulgrave’s Dining-Room. Aidale (I believe, another early variant spelling of the village Edale) is at first, a delightful contrast to Mulgrave’s; a meandering solo piano, which then drifts into an altered dream-state and transitions to the apparent sounds of traffic passing or is it time bending? Peveril’s Open Door brings us to the environs of Castleton and the nearby Peveril Castle, which overlooks the village with sounds of birds, nearby waterway and the piano returns. The end of the journey is Sleep State For Carl Wark, the rocky promontory in Hatersage Moor (believed to be the site of an Iron Age hill fort). It is here that memories of the distant past flow into and blend with the present, and sleep returns with music box and strings; the end of a captivating journey.
Autistici is Sheffield-based (UK) sound artist David Newman. He is the curator of the Audiobulb (where I discovered the marvelous work of Monty Adkins) and Audiomoves record labels. To date, Autistici has released a number of acclaimed albums on the 12k, Home Normal and Keshhhhhh labels, amongst others.
Updated sound files will be posted when available.
This is a solicited review.