Label: http://www.12k.com/index.php/site/releases/akari/ CD 12K1080 Time: 58:54
Artist Website: http://illuha.com/
1) Diagrams Of The Physical Interpretation of Resonance 2) Vertical Staves Of Line Drawings And Pointillism 3) The Relationship Of Gravity To The Persistence Of Sound 4) Structures Based On The Plasticity Of Sphere Surface Tension 5) Requiem For Relative Hyperbolas Of Amplified And Decaying Waveforms
ILLUHA’s new album is a more introspective progression from their previous works, some of which have been recorded in large spaces with vast natural reverberation (like their last studio album Shizuku – 12K1067). Akari is like the successively magnified views in Charles and Ray Eames’s film The Power of Ten, while still being in the dome of the sky, the experience of the sound moves inward, and despite being ever closer to the point of focus a vastness of even more detail is revealed. The album has a comforting intimacy, and from the first quite unexpected (to me!) muted acoustic guitar harmonics there is also a deeply tactile quality. The instrumentation on the album is diverse, but it never distracts; each sound or ensemble has the space it requires and it tangibly enhances the experience.
The recording is profoundly crystalline and as one meanders through the scenes there are moments of illumination to be discovered…finding light in the darkness where color and detail are exposed. The broader ambient sounds that open many of the tracks are subtle (like The Relationship of Gravity…) forming a backdrop for the journeys that Corey Fuller and Tomoyoshi Date lead us through.
I think the quality of sound-light in some of the passages of Akari is like the photo below that I took on a walk, early in the Fall of 2012.
Find a comfortable place to rest and get lost in this.
One of my favorite ILLUHA pieces is a live recording from their CD Interstices (see the excerpt of Interstices III below, CD also available from 12k).