Eilean Rec 88 CD Time: 40:53
More on Twigs & Yarn: http://www.twigsandyarn.net/
Tracks: Hibernate, Sonora, Channeling, Cave Bears, In the Valley, Lend a Hand, Laelaps, Floes
Lauren McMurray and Stephen Orsak are Twigs & Yarn, and on their previous album (The Language of Flowers, my favorite album of 2012), the duo created it over a great distance (between Japan and Texas). Their work presses all the right buttons for me: it’s inventive, tender, melodic, and at times unexpected. T&Y takes me on a new journey every time I listen, yet there’s an inexplicable familiarity that I find comforting. There is also a curious child-like quality of discovery in the music.
On April 5th, 2015, Twigs & Yarn did a live segment on KOOP Radio in Austin, Texas that was (thankfully) streamed over the internet, and T&Y noted they hope to release another album later in 2015. I will link to the recording of the program if it is posted by KOOP (EDIT: Here is the link to the entire program: https://www.mixcloud.com/fadetoyellow/episode-164-fade-to-yellow-still-forms-drift/).
Over the course of their new album, Still Forms Drift I wonder if there is an intentional arc of how the pieces were developed. I detect that the tracks move from more melodic to experimental, and from rhythmic to more atmospheric and subdued, so there is a nice combination of moods and progression on the album.
A layered sonorous hum opens and eases the listener into Hibernate; sounds eddy between the channels (headphone or speakers). The music builds gradually and blends into a delicate yet immersive fabric where voices and distant cloaked sounds are revealed. Sonora is absolute magic—so romantic, delicately rhythmic, playful and with a hint of some of Raymond Scott’s electronic experiments of the 1950s and 60s. As it progresses, there is increasing comfort, dissolving enmeshed sound, then melodic humming. Exploring the layers, with repeated listens is like a treasure hunt, but then just listen again and disappear into it. It’s like a tender and pleasurable whisper during a dream.
Channeling moves to the outdoors, contemplating with the fauna and environs, then dissolving into a trance of gentle guitar, voices and comforting pulses. Gradually, the reverie subsides and a gentle reality emerges. Cave Bears opens a bit like an antique bell-chime clock, steady and somewhat glitchy. Beats, shifted repeating sounds and guitar harmonics are added and the rhythm slows. In The Valley is another memory of place, although more ambient and disconnected compared to Channeling. There is a slight grittiness to it as it progresses, with sounds that are less tangible, as in the edge of a dream. Lend a Hand is a song with two different parallel veiled spirits; an expression of yearning that moves in and out of focus…one voice moves to the distance, but then returns; as if eavesdropping on a one-sided conversation weaving in and out of gentle waves of guitar and entwined low resonant hums…a slowly rocking boat in the doldrums.
Perhaps the most meditative (and curiously metallic) of the pieces is Laelaps. I speculate that it’s an evening of lying on the ground outdoors with gazes cast to the sky in contemplation. If I have my Greek mythology correct, it was Zeus who cast the dog Laelaps into the stars as Canis Major in pursuit of the Teumessian fox, Canis Minor. With a largo of synthetic electronic sounds and somewhat compressed voices Floes closes the album with hints of a lullaby reminiscent of a well-worn music box.
There is so much wonderful in this album, and I was instantly smitten.
This is a solicited review.
Thank you to all the artists and record labels for such wonderful and diverse music.
This is one list of many, it’s my list, and it leaves off many other favorites that I have enjoyed over the year in addition to the thousands of other albums and single tracks that make up music throughout the World. What has helped me arrive at this list is what I have always loved about music: Does it move me? In addition, is it creative, well recorded and produced with a degree of care that makes me pay attention to it? There was a time when I was obsessed with highly produced and tightly engineered works, then I learned about artists such as East River Pipe and Sparklehorse, and many other genres of music were opened to me.
If you don’t see your favorite album on this list (or even your own album), it doesn’t mean a thing. If an album has been reviewed on my website this year, it’s meaningful to many others and me, but this is only a very, very small slice of the music world. Often people ask me about new music, and what I recommend. When I started this website in late January, 2012 it was first a means to write about music that I enjoyed, but also to get to know other artists and learn about new music that they create, so I could pass it on. Often, the best new music is that referred by a friend. Please feel free to send me your comments and recommendations.
Special note: There are still three or four late 2012 releases that are either enroute to me, have yet to be released or have just arrived. I need to spend proper time listening to and absorbing these albums. Rather than delaying this list further, and if after listening to those last 2012 releases I feel that they hit a sweet spot, I’ll review those albums in early 2013. I know of at least two 2012 releases that I’ll likely not receive until 2013.
I have three categories: Albums (12), Individual Tracks (6), and Special Releases (3) that don’t necessarily fit into a category.
Albums (Artist – Album Title – Record Label)
1) Twigs & Yarn – The Language of Flowers – Flau
2) Lambchop – Mr. M – Merge Records
3) Zammuto – Zammuto – Temporary Residence
4) Steve Hackett – Genesis Revisited II – Inside Out Music
5) Taylor Deupree – Faint – 12k
6) Billow Observatory – Billow Observatory – Felte
7) Gareth Dickson – Quite A Way Away – 12k
8) Pill-Oh – Vanishing Mirror – Kitchen. Label
9) Brambles – Charcoal – Serein
10) Almost Charlie – Tomorrow’s Yesterday – Words On Music
11) Cody ChesnuTT – Landing On A Hundred – One Little Indian
12) Stick Men – Deep – Stick Men Records
Individual Tracks (from other albums)
1) Library Tapes – Sun peeking through (from the album Sun peeking through) – Self Released
2) Cock & Swan – Orange & Pink (from the album Stash) – Lost Tribe Sound
3) Alex Tiuniaev – Daylight (from the album Blurred) – Heat Death Records
4) Kyle Bobby Dunn – In Praise of Tears (from the album In Miserum Stercus) – Komino
5) Kane Ikin & David Wenngren – Chalk (from the album Strangers) – Keshhhhhh
6) Olan Mill – Bleu Polar (from the album Paths) – Fac-ture
1) Celer & Machinefabriek: Maastunnel/Mt. Mitake, Numa/Penarie, Hei/Sou – Self Released
2) Birds Of A Feather: Michael Frommer – The Great Northern Loon, Porya Hatami – The Black Woodpecker, Darren McClure – The Black Kite, The Green Kingdom – The Great Blue Heron – Flaming Pines
3) Simon Scott, Corey Fuller, Marcus Fischer, Tomoyoshi Date and Taylor Deupree (Recorded live in Japan October, 8, 2012) – Between (…The Branches) – 12k
Record Labels Noted Above
Merge Records: http://www.mergerecords.com/
Temporary Residence LTD: http://temporaryresidence.com/
Inside Out: http://www.insideoutmusic.com/
Kitchen. Label: http://www.kitchen-label.com/
Words On Music: http://www.words-on-music.com/
One Little Indian: http://indian.co.uk/shop/landing-on-a-hundred-1.html
Stick Men Records: http://stick-men.net
Library Tapes: http://librarytapes.com/
Lost Tribe Sound: http://www.cockandswan.com/ Note: I have not listed the weblink to the record label as Google has noted that the website MAY be compromised.
Heat Death Records: http://www.heatdeathrecords.co.uk/
Kesh (Simon Scott’s label): http://www.keshhhhhh.com/
Flaming Pines: http://flamingpines.com/