…A Not-So Comprehensive List
2013 has been a quirky year; for a time I found that inspiration had vanished and I wasn’t interested in listening to music or writing about it at all (a rare occurrence). I’m guilty of having purchased less music this year (an economic curtailment of necessity). Nonetheless, there has been some great music in 2013 (and my slice is a tiny piece of what’s out there). This year I read some music-related memoirs by artists whose work I’ve admired for decades (Burt Bacharach, Neil Young, Michael Feinstein–of his time spent with Ira Gershwin and other books), some histories of Jazz Standards, Blues, Rock and Roll, and records labels (including one of my favorite indie labels, Merge Records). I was also fortunate to attend a number of live shows, and I’ve posted photos of some of those throughout the year.
Is it me or have record labels and artists reduced their output somewhat? Is it a lull in a normal cycle or a sign of the economic times?
Some of the music on this list will be familiar if you have checked-in to read my reviews and some I have not reviewed. I also have some albums I’m still listening to and I haven’t decided if I’ll write reviews for them (an archival release by The Books, La Luz’s first LP, Mary Lattimore and others). One album in particular that I’ve enjoyed recently (although it was NOT released this year) is a live archive solo recording of Neil Young at the Canterbury House in 1968 entitled Sugar Mountain—the album is mostly material that Young wrote or co-wrote with Buffalo-Springfield, and it was recorded right after Buffalo-Springfield broke-up.
A double live CD has also just arrived of one of the last (very lively hot Jazz) gigs played by the house band at Eddie Condon’s in New York City before it closed in 1985—One Night at Eddie Condon’s (Red “The Commodore” Balaban’s Condon Band), with Ed Polcer, Dr Palu Squire, Jack Maheu, Tom Artin, Bobby Pratt, Dave Shapiro and Danny D’Imperio, recorded by Doug Pomeroy)–thanks to Tom Artin for sending this great piece of Jazz history!
The Lucky 13 (all albums purchased–not promos)
Yellowbirds – Songs From The Vanished Frontier – Royal Potato Family: This is my favorite album of the year—just love it–the vibe, the sounds. Please see my June review.
Harold Budd – Jane 1-11 – Darla: The music with companion videos release won’t be available until early 2014, but another beautiful album from HB. I reviewed this album in June, as well.
John Scofield – Überjam Deux – Emarcy: I reviewed this album in August—an excellent follow-up to the original Überjam, and a great vibe with Jazz, Blues and more!
Steve Hackett – Genesis Revisited: Live At Hammersmith (CD/DVD) – InsideOut: As I noted in my review of last year’s studio release of Genesis Revisited II, I feel like Steve Hackett is the keeper of the spirit of the work of Genesis during the 1971 to 1977 era. So many of the earlier recordings (weak on the engineering and mix, except The Lamb) were greatly improved and enhanced, and this comprehensive 3 CD and 2 DVD set documents the fabulous and memorable Hammersmith show in May of 2013 before the band traveled to the US for their fall tour. The SH Band will tour further in support of this in the southeastern US and Europe and Russia is 2014 (bassist Lee Pomeroy will be replaced by Nick Beggs, a familiar face to Hackett Band fans…I really enjoyed Lee on this tour, he really brought out just how musical Mike Rutherford’s bass lines are in these earlier Genesis classics).
Wire – Change Becomes Us – Pink Flag: I was a big fan of Wire in the late 1970s and then I just plain lost touch with their work. The Words On Music label has a compilation of reinterpretations of their well-known single Outdoor Miner from their 1978 Chairs Missing album, and then I noticed a post earlier in the year by Marc Ostermeier (of the band Should ,and WOM and Tench labels) that a new album was forthcoming.
Juliette Commagere – Human – Aeronaut: Late in 2010 Commagere released her album The Procession on Manimal Records—a diverse combination of songs with dense and gorgeous vocals instrumentation—part art-rock, progressive and electronica. Commagere has returned with another beautifully recorded album of lush songs with her strong vocals and support from husband Joachim Cooder, Ben Messelbeck, Amir Yaghmai, Ry Cooder and recorded by Mark Rains and Martin Pradler. The sound is deep, full, inventive and often fantastical—she is doing her own thing, and I love it (catchy melodies and all). There are times when she channels Elizabeth Fraser as on Low.
Roger Eno – Ted Sheldrake – Backwater: Thirty Years after his first work Apollo with brother Brian and guitarist Dan Lanois, Roger Eno compiled this tribute to friend and neighbor, Ted Sheldrake. Although I reviewed this album in November of 2012, it wasn’t officially released until January of this year.
Cock & Swan – Secret Angles – HushHush: I am eagerly awaiting my blue vinyl (Kickstarter-funded) copy of this digital release that I reviewed in August.
The Bryan Ferry Orchestra – The Jazz Age – BMG: Back in March I did a brief comparative analysis of this album and Steven Wilson’s latest (see below). I think this is a really spirited and fun reinterpretation of earlier works by Roxy Music and BF. Being a lover of old acoustically recorded 78s of the pre-Jazz and Jazz ages, I get this.
Steven Wilson – The Raven That Refused To Sing (and Other Stories) – kscope: A strong album (I think it’s Steve’s best to date), beautifully recorded and engineered by Alan Parsons. My favorite song is Drive Home.
William Tyler – Impossible Truth – Merge: A brilliant solo guitar album by Lambchop and Hands Off Cuba alum, and a great follow-up to his previous Tompkins Square release Behold The Spirit. I reviewed this album in March.
Celer – Viewpoint – Murmur: As I noted when I reviewed this album in April, I find this album absorbing and romantic—a great piece for getting lost.
Ron Sexsmith – Forever Endeavour – Cooking Vinyl: I love Ron’s work–started listening in 1997 with his third album Other Songs. Forever Endeavour is sparsely arranged, but strings, horn, percussion, pedal steel or electric bass are right there when they’re needed. Other than that, the songs are Ron’s voice, and his acoustic guitar. He has a gift for wordplay and expressing emotions with a deft efficiency that flow so naturally with his melodies. Some songs on Forever Endeavour are ironically upbeat, like Nowhere Is and Snake Road—in a sense, keeping the faith. The CD has two bonus tracks (songs written with Don Black and recorded by Don Kerr), Life After A Broken Heart and Autumn Light, and they are just plain gorgeous additions to this album. Here’s a live recording of Autumn Light.
Two of my favorite new discoveries in 2013
Meridian Brothers – Desesperanza – Soundway: I heard about Meridian Brothers in an NPR Alt Latino podcast and was instantly hooked by this band from Bogata, Colombia–buying as much of their back catalog as I could find in physical releases. Their music is surreal and playful—a combination of Joe Meek, Esquivel and Raymond Scott.
La Luz – Brainwash (7″) – Suicide Squeeze: This is a single (my version is on clear vinyl) that was released by La Luz just prior to their new album It’s Alive—It’s infectious and fun! I got to La Luz thanks to Johnny Goss (one half of Cock & Swan).
I need some warmth on these cold winter days…
Ron Sexsmith – Forever Endeavour
I love Ron’s work (another thoughtful Canadian songwriter—imagine that?!). He writes such great songs. My problem with his work, at times, is that sometimes his songs are just too sad, but Ron has a gift for making a sad song curiously uplifting, like Michael and His Dad from his last album Long Player Late Bloomer. I started listening to Ron’s work in 1997 with his third album Other Songs (produced by Mitchell Froom and Tchad Blake—coincidentally Froom produced Suzanne Vega’s Nine Objects of Desire the previous year, another favorite album of mine). Forever Endeavour is sparsely arranged, but strings, horn, percussion, pedal steel or electric bass are right there when they’re needed. Other than that, the songs are Ron’s voice, and his acoustic guitar. He has a gift for wordplay and expressing emotions with a deft efficiency that flow so naturally with his melodies. Some songs on Forever Endeavour are ironically upbeat, like Nowhere Is and Snake Road—in a sense, keeping the faith.
The CD has two bonus tracks (songs written with Don Black and recorded by Don Kerr), Life After A Broken Heart and Autumn Light, and they are just plain gorgeous additions to this album.
Nowhere To Go
Lorna – Heart of Wire
This is Lorna’s third album on the Words On Music label. The collective from Nottingham, UK creates dreamy contemplative songs with shy vocals and delicate harmonies. I’ve read of some comparisons to Yo La Tenga, but Lorna’s instrumentation tends to be more complex, and chamber-like at times. I think that this is their most direct album of the three for Words On Music—their sound is more confident, but they haven’t lost the softness and (at times) melancholy of their lyrics. I think the strongest songs on this collection are As She Goes By, Old Shanklin Sunset and Mina and Marco (with a delightful melodic phrase sample borrowed from composer Edward Elgar).
Daphne Lee Martin – Moxie
A woman after my own heart—part record store owner, part musician; for many years, Daphne has been part of the New London, Connecticut-based band Raise The Rent. Moxie is the first of two releases (the forthcoming being Frost), and is a sultry collection of songs of the (only mildly) lurid backstreets of her imagination (with the added bonus of occasional Mellotron accompaniment!). There are shades of the cheekiness of the Squirrel Nut Zippers and the “heat” of mid-1970s Maria Muldaur in this well-produced album. I have an idea for what to expect from Frost—counterpoint!
Heligoland – Sainte Anne
Sainte Anne is the latest EP from the Paris-based Australian quartet known as Heligoland. Their work in the last few releases has come under the wispy spell of producer and musician Robin Guthrie (who also plays occasional keyboards and bass), so it was only natural that I try their work. My favorite tracks on this EP are Sleepless and 22 Miles—peaceful ethereal guitar and bass balanced with gently pulsing drums and Karen Vogt’s warm and full vocals (channeling, at times, the sound of Christine McVie with a bit of vibrato). Other band members are Dave Olliffe (guitars and keyboards), Steve Wheeler (bass) and new member Antti Mäkinen (drums and percussion). Their previous albums and EPs include: Bethmale (recorded in 2010 and released in 2012), All Your Ships Are White (2010) and A Street Between Us (2006).
Corazón from their album All Your Ships Are White
And even more wonderfully creative releases from the Flau label in Japan… I can’t possibly buy them all, so one must be…somewhat…selective.
The Boats – Our Small Ideas (2012 Edition)
I have thoroughly enjoyed the various releases by The Boats (Craig Tattersall and Andrew Hargreaves with Danny Norbury, Chris Stewart and others). Our Small Ideas is a re-release and enhancement of an original 2008 CD-R. Contained in this work are the often quirky and sometimes fragile and nascent threads of pieces to be released later (and some are quite recognizable). This album is not unlike the approach of CD #1 of Tape Loop Orchestra’s The Words On My Lips Is Your Name/The Burnley Brass Band Plays On In My Heart.
Sound samples are here (since The Boats seem to eschew Soundcloud): http://www.flau.jp/releases/r09.html
El Fog – Reverberate Slowly
This is a solo project of Berlin-based vibraphonist Masayoshi Fujita, a light blend of acoustic instrumentation with a tranquil late night aura of electronics and subtlest of glitchy rhythms.
Masayoshi Fujita – Stories
Stories is an album of solo acoustic vibraphone works (with occasional violin and cello). Whether struck gently (as in Snow Storm) or bowed (as in Cloud), Fujita paints vivid, yet tender sound pictures. Some pieces are rhythmically playful, and could form the foundations for musical conversations (much like those between Bill Bruford and Michiel Borstlap on their album Every Step A Dance, Every Word A Song). This is an appropriate soundtrack for gently falling snow. The album is beautifully mastered by Nils Frahm.
Swan and Morning Dews
Graham Gouldman – Love and Work
Graham Gouldman has been writing songs since the days of The Yardbirds (For Your Love), and many others like Wayne Fontana and the Mindbenders, before formally crossing paths with Eric Stewart, Lol Creme and Kevin Godley (Hotlegs) who later became 10cc with a long string of albums with sharp, witty and often sardonic songs. Love And Work is an album of twelve beautifully crafted and wide-ranging songs.
The album dedicated to the memory of Andrew Gold, and the song Daylight is about Andrew. They worked together as the duo Wax and earlier on some of 10cc’s later albums.
I’ve seen Graham and Ron Sexsmith appear together on BBC Songwriters Circle programs. Perhaps Graham and Ron will work together someday…
For Your Love
Happy Listening–Stay Warm!