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Posts tagged “Gareth Dickson

Gareth Dickson – Invisible String

Gareth Dickson Invisible String

Sleeping Man Records SMR005 – CD Time: 70:16

Also available on vinyl from Unwork Inc. or cassette from Beacon Sound

http://www.garethdickson.co.uk/

1) This Is The Kiss 2) Once Upon* 3) Song, Woman & Wine 4) Agoa 5) Like A Clock 6) Jonah 7) Get Together 8) The Dance* 9) The Big Lie* 10) Fifth 11) Technology 12) Noon 13) Nunca Jamás 14) Harmonics 15) Two Trains 16) Climbing 17) Amber Sky*

* - Not previously available as a studio recording

These are live recordings from a 2012 tour in support of Dickson’s album Quite A Way Away (and includes songs from his Collected Recordings CD, resissued by 12k) with concerts in Reims, Istanbul, including an apartment lobby in Caen, France.  I reviewed Quite A Way Away in early 2012.

****

From the moment this album begins, it’s magic.

The deeply resonant chords, the natural reverberation, the open tunings and Gareth Dickson’s hushed voice all combine to create a captivating and magnetic sonorous atmosphere.  Whether it’s gentle incantations, trance inducing vocal meditations or arpeggios this album is exquisitely gentle, yet curiously riveting and at times hypnotic.

There isn’t much more that I can say except buy it, and see if you can find the source of the album’s title.

 


A List Too Small – My Favorites of 2012

Thank you to all the artists and record labels for such wonderful and diverse music.

This is one list of many, it’s my list, and it leaves off many other favorites that I have enjoyed over the year in addition to the thousands of other albums and single tracks that make up music throughout the World.  What has helped me arrive at this list is what I have always loved about music: Does it move me?  In addition, is it creative, well recorded and produced with a degree of care that makes me pay attention to it?  There was a time when I was obsessed with highly produced and tightly engineered works, then I learned about artists such as East River Pipe and Sparklehorse, and many other genres of music were opened to me.

If you don’t see your favorite album on this list (or even your own album), it doesn’t mean a thing.  If an album has been reviewed on my website this year, it’s meaningful to many others and me, but this is only a very, very small slice of the music world.  Often people ask me about new music, and what I recommend.  When I started this website in late January, 2012 it was first a means to write about music that I enjoyed, but also to get to know other artists and learn about new music that they create, so I could pass it on.  Often, the best new music is that referred by a friend.  Please feel free to send me your comments and recommendations.

Special note: There are still three or four late 2012 releases that are either enroute to me, have yet to be released or have just arrived.  I need to spend proper time listening to and absorbing these albums.  Rather than delaying this list further, and if after listening to those last 2012 releases I feel that they hit a sweet spot, I’ll review those albums in early 2013.  I know of at least two 2012 releases that I’ll likely not receive until 2013.

I have three categories: Albums (12), Individual Tracks (6), and Special Releases (3) that don’t necessarily fit into a category.

Albums (Artist – Album Title – Record Label)

T&Y TLOF

1) Twigs & Yarn – The Language of Flowers – Flau

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2) Lambchop – Mr. M – Merge Records

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3) Zammuto – Zammuto – Temporary Residence

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4) Steve Hackett – Genesis Revisited II – Inside Out Music

12k-faint-cover

5) Taylor Deupree – Faint – 12k

BillowObservatory

6) Billow Observatory – Billow Observatory – Felte

12k10701Gareth

7) Gareth Dickson – Quite A Way Away – 12k

Pill-Oh KL

8) Pill-Oh – Vanishing Mirror – Kitchen. Label

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9) Brambles – Charcoal – Serein

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10) Almost Charlie – Tomorrow’s Yesterday – Words On Music

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11) Cody ChesnuTT – Landing On A Hundred – One Little Indian

SM DEEP

12) Stick Men – Deep – Stick Men Records

Individual Tracks (from other albums)

 

1) Library Tapes – Sun peeking through (from the album Sun peeking through) – Self Released

2) Cock & Swan – Orange & Pink (from the album Stash) – Lost Tribe Sound

3) Alex Tiuniaev – Daylight (from the album Blurred) – Heat Death Records

4) Kyle Bobby Dunn – In Praise of Tears (from the album In Miserum Stercus) – Komino

5) Kane Ikin & David Wenngren – Chalk (from the album Strangers) – Keshhhhhh

6) Olan Mill – Bleu Polar (from the album Paths) – Fac-ture

Special Releases

Celer Machinefabriek

1) Celer & Machinefabriek: Maastunnel/Mt. Mitake, Numa/Penarie, Hei/Sou – Self Released

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Darren%20McClure%20artworkThe%20Green%20Kingdom%20artwork

 

 

 

 

 

2) Birds Of A Feather: Michael Frommer – The Great Northern Loon, Porya Hatami – The Black Woodpecker, Darren McClure – The Black Kite, The Green Kingdom – The Great Blue Heron – Flaming Pines

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3) Simon Scott, Corey Fuller, Marcus Fischer, Tomoyoshi Date and Taylor Deupree (Recorded live in Japan October, 8, 2012) – Between (…The Branches) – 12k

Record Labels Noted Above

Flau: http://www.flau.jp/

Merge Records: http://www.mergerecords.com/

Temporary Residence LTD: http://temporaryresidence.com/

Inside Out: http://www.insideoutmusic.com/

12k: http://12k.com/

Felte: http://www.feltesounds.com/

Kitchen. Label: http://www.kitchen-label.com/

Serein: http://www.serein.co.uk/

Words On Music: http://www.words-on-music.com/

One Little Indian: http://indian.co.uk/shop/landing-on-a-hundred-1.html

Stick Men Records: http://stick-men.net

Library Tapes: http://librarytapes.com/

Lost Tribe Sound: http://www.cockandswan.com/ Note: I have not listed the weblink to the record label as Google has noted that the website MAY be compromised.

Heat Death Records: http://www.heatdeathrecords.co.uk/

Komino: http://kominorecords.com/

Kesh (Simon Scott’s label): http://www.keshhhhhh.com/

Facture: http://www.fac-ture.co.uk/

Machinefabriek & Celer: http://machinefabriek.bandcamp.com/ & http://www.thesingularwe.org/fs/

Flaming Pines: http://flamingpines.com/


SRFélix – SRFélix

My Little Cab Records MLCR#031 CDr limited run of 100 (Review copy is #25)

Timing: 23:56 Mastered by Emmanuel Nogues

Website and Ordering: http://mylittlecabrecords.bandcamp.com/album/srf-lix

Tracks: 1) We Walk Until The End; 2) The Wind Dies; 3) Leaving Home; 4) A River In Winter; 5) Old Memories; 6) Until The End

S. R. Félix lives and records his works at home, between Lille and the shores of Brittany in France.  His self-titled debut release on My Little Cab Records is an enchanting sonic novella that alternates between states of observation and contemplation.  Most of the instrumentation is acoustic (piano, guitar, strings and treatments), and there are similarities with the instrumental portions of recent works by Will Samson and Gareth Dickson.  There is deep sense of reverence for place and time.

We Walk Until The End announces a departure on a (perhaps imagined) journey with a layered and expansive beckoning, which gradually develops into an exultant march before fading.  The Wind Dies shifts to a more introspective piano meditation.  The recording preserves the ambient sounds of the inner workings of the muted piano*.  Leaving Home continues the sense of reflection, this time with a solitary electric guitar lament.  It starts quietly and grows more intense during the choruses.  A River In Winter is a more outward looking and expansive sonic vision; a desolate scene encountered as the journey continues.  Old Memories has a metronomic muted piano (layered with shimmering guitar).  It expresses the passage of time, and gives the sense of viewing faded photographs.  Until The End is perhaps the arrival at the destination, to a darker yet more serene realm.  The sound is deeper and moves in waves to the close.

 

My Little Cab Records is a French DIY record label that has released mostly limited edition CDrs since 2004.  The CD sleeve has an intriguing pine forest panorama spanning the front and back covers of the expressive and fully hand-lettered sleeve (with pressed dried flowers). S. R. Félix is working on his next album, to be released in 2013.  Although this eponymous debut release is more akin to an extended EP than a full LP album, I find it to be a solid introduction to Félix’s work, and I look forward to the future release, as well.

*-Recording note: There is a slight vibration at the edges of the sonic peaks on this track. To be certain that it was not my equipment, I switched between multiple pairs of speakers and the vibration remained.  It is not too distracting, but it is noticeable on certain equipment.

****

This is a solicited review, although I had already purchased a copy of the album.


Gareth Dickson – Quite A Way Away – *UPDATED Happy Easters Video*

CD 43:24 – 12K1070 – 12k Records

http://www.12k.com/ & http://www.garethdickson.com/

1) Adrenaline, 2) Noon, 3) Get Together, 4) Quite A Way Away, 5) This Is The Kiss, 6) Happy Easters, 7) Nunca Jamas (Never Ever), 8) Jonah

More beautiful music to disappear into, discovered this time by an association with a record label that I have quickly come to admire a great deal, 12k.  There is quite a story behind this album by Gareth Dickson and it is told best, right here:

http://www.12k.com/index.php/site/releases/quite_a_way_away/

The comparisons to the sound, the voice and the music are immediate: Nick Drake, Bert Jansch and others, yet there are some distinct differences, some technological and some musical.  I speculate that some of the tunings and picking are similar to techniques used by Nick Drake (whose work I am far more familiar with), but there are similarities to another guitarist I admire a great deal, Anthony Phillips (Geese and the Ghost, many others, and collaborations with Harry Williamson: Tarka & Gypsy Suite).

With the exception of instrumental piece Happy Easters, each song starts with an extended introduction on the guitar.  It sets the mood, the color, space and even establishes a sonic incantation for the coming lyrics (much of which are of love, longing and searching).

Noon

 

The recordings have incredible depth (considering they are classified as “lo-fi”).  I’m not sure how the album was engineered, processed or mic’ed, but there are some guitar sound similarities to Neil Young’s recent album Le Noise that was produced and engineered by Daniel Lanois.  In Quite A Way Away the guitar sounds as an orchestra (whether strings are muted or being played at their fullest at the heart of the guitar).  The instrumentation is as stark as Nick Drake’s Pink Moon yet the sound is as full as Five Leaves Left or Bryter Layter—so wonderful to hear.

Happy Easters, to me, is very strongly reminiscent of the acoustic sections of Anthony Phillips’ Scottish Suite as well as other pieces from his second Private Parts and Pieces series of albums.  Quite fitting, since Gareth Dickson is originally from Glasgow, Scotland, and his voice also reveals his roots elsewhere on the album.

Happy Easters

 

This is not an album of songs with guitar accompaniment nor is it a guitar album with vocals.  Gareth Dickson combines both and reaches into the sonorous depths to create a passionate, deeply emotional and soulful music.

Links to other song samples here: http://soundcloud.com/gareth-dickson


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