Independent Music Reviews & Music Label

Posts tagged “flau

What’s Spinning – Deep Winter Edition

I need some warmth on these cold winter days…

Ron Sexsmith – Forever Endeavour

RS 4EVRNDVR

http://www.ronsexsmith.com/

I love Ron’s work (another thoughtful Canadian songwriter—imagine that?!).  He writes such great songs.  My problem with his work, at times, is that sometimes his songs are just too sad, but Ron has a gift for making a sad song curiously uplifting, like Michael and His Dad from his last album Long Player Late Bloomer.  I started listening to Ron’s work in 1997 with his third album Other Songs (produced by Mitchell Froom and Tchad Blake—coincidentally Froom produced Suzanne Vega’s Nine Objects of Desire the previous year, another favorite album of mine).  Forever Endeavour is sparsely arranged, but strings, horn, percussion, pedal steel or electric bass are right there when they’re needed.  Other than that, the songs are Ron’s voice, and his acoustic guitar.  He has a gift for wordplay and expressing emotions with a deft efficiency that flow so naturally with his melodies.  Some songs on Forever Endeavour are ironically upbeat, like Nowhere Is and Snake Road—in a sense, keeping the faith.

The CD has two bonus tracks (songs written with Don Black and recorded by Don Kerr), Life After A Broken Heart and Autumn Light, and they are just plain gorgeous additions to this album.

Nowhere To Go

 

Lorna – Heart of Wire

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http://www.words-on-music.com/index.html and http://lornatheband.com/bio/

This is Lorna’s third album on the Words On Music label.  The collective from Nottingham, UK creates dreamy contemplative songs with shy vocals and delicate harmonies.  I’ve read of some comparisons to Yo La Tenga, but Lorna’s instrumentation tends to be more complex, and chamber-like at times.  I think that this is their most direct album of the three for Words On Music—their sound is more confident, but they haven’t lost the softness and (at times) melancholy of their lyrics.  I think the strongest songs on this collection are As She Goes ByOld Shanklin Sunset and Mina and Marco (with a delightful melodic phrase sample borrowed from composer Edward Elgar).

 

 

Daphne Lee Martin – Moxie

DLM Moxie

http://daphneleemartin.com/ and http://telegraphrecordingcompany.com/

A woman after my own heart—part record store owner, part musician; for many years, Daphne has been part of the New London, Connecticut-based band Raise The Rent.  Moxie is the first of two releases (the forthcoming being Frost), and is a sultry collection of songs of the (only mildly) lurid backstreets of her imagination (with the added bonus of occasional Mellotron accompaniment!).  There are shades of the cheekiness of the Squirrel Nut Zippers and the “heat” of mid-1970s Maria Muldaur in this well-produced album.  I have an idea for what to expect from Frost—counterpoint!

 

Heligoland – Sainte Anne

Heligoland Sainte Anne

http://heligoland.org/ and http://heligoland.bandcamp.com/

Sainte Anne is the latest EP from the Paris-based Australian quartet known as Heligoland.  Their work in the last few releases has come under the wispy spell of producer and musician Robin Guthrie (who also plays occasional keyboards and bass), so it was only natural that I try their work.  My favorite tracks on this EP are Sleepless and 22 Miles—peaceful ethereal guitar and bass balanced with gently pulsing drums and Karen Vogt’s warm and full vocals (channeling, at times, the sound of Christine McVie with a bit of vibrato).  Other band members are Dave Olliffe (guitars and keyboards), Steve Wheeler (bass) and new member Antti Mäkinen (drums and percussion).  Their previous albums and EPs include: Bethmale (recorded in 2010 and released in 2012), All Your Ships Are White (2010) and A Street Between Us (2006).

 

 

Corazón from their album All Your Ships Are White

 

And even more wonderfully creative releases from the Flau label in Japan…  I can’t possibly buy them all, so one must be…somewhat…selective.

http://flau.bandcamp.com/ and http://www.flau.jp/top.html

The Boats – Our Small Ideas (2012 Edition)

The Boats OSI

http://oursmallideas.tumblr.com/

I have thoroughly enjoyed the various releases by The Boats (Craig Tattersall and Andrew Hargreaves with Danny Norbury, Chris Stewart and others).  Our Small Ideas is a re-release and enhancement of an original 2008 CD-R.  Contained in this work are the often quirky and sometimes fragile and nascent threads of pieces to be released later (and some are quite recognizable).  This album is not unlike the approach of CD #1 of Tape Loop Orchestra’s The Words On My Lips Is Your Name/The Burnley Brass Band Plays On In My Heart.

Sound samples are here (since The Boats seem to eschew Soundcloud): http://www.flau.jp/releases/r09.html

El Fog – Reverberate Slowly

El Fog RS

This is a solo project of Berlin-based vibraphonist Masayoshi Fujita, a light blend of acoustic instrumentation with a tranquil late night aura of electronics and subtlest of glitchy rhythms.

 

Masayoshi Fujita – Stories

MF Stories

http://masayoshifujita.com/

Stories is an album of solo acoustic vibraphone works (with occasional violin and cello).  Whether struck gently (as in Snow Storm) or bowed (as in Cloud), Fujita paints vivid, yet tender sound pictures.  Some pieces are rhythmically playful, and could form the foundations for musical conversations (much like those between Bill Bruford and Michiel Borstlap on their album Every Step A Dance, Every Word A Song).  This is an appropriate soundtrack for gently falling snow.  The album is beautifully mastered by Nils Frahm.

 

 

Swan and Morning Dews

 

Graham Gouldman – Love and Work

GG Love And Work

http://www.grahamgouldman.info/

Graham Gouldman has been writing songs since the days of The Yardbirds (For Your Love), and many others like Wayne Fontana and the Mindbenders, before formally crossing paths with Eric Stewart, Lol Creme and Kevin Godley (Hotlegs) who later became 10cc with a long string of albums with sharp, witty and often sardonic songs.  Love And Work is an album of twelve beautifully crafted and wide-ranging songs.

The album dedicated to the memory of Andrew Gold, and the song Daylight is about Andrew.  They worked together as the duo Wax and earlier on some of 10cc’s later albums.

 

I’ve seen Graham and Ron Sexsmith appear together on BBC Songwriters Circle programs.  Perhaps Graham and Ron will work together someday…

 

 

For Your Love

 

Happy Listening–Stay Warm!


A List Too Small – My Favorites of 2012

Thank you to all the artists and record labels for such wonderful and diverse music.

This is one list of many, it’s my list, and it leaves off many other favorites that I have enjoyed over the year in addition to the thousands of other albums and single tracks that make up music throughout the World.  What has helped me arrive at this list is what I have always loved about music: Does it move me?  In addition, is it creative, well recorded and produced with a degree of care that makes me pay attention to it?  There was a time when I was obsessed with highly produced and tightly engineered works, then I learned about artists such as East River Pipe and Sparklehorse, and many other genres of music were opened to me.

If you don’t see your favorite album on this list (or even your own album), it doesn’t mean a thing.  If an album has been reviewed on my website this year, it’s meaningful to many others and me, but this is only a very, very small slice of the music world.  Often people ask me about new music, and what I recommend.  When I started this website in late January, 2012 it was first a means to write about music that I enjoyed, but also to get to know other artists and learn about new music that they create, so I could pass it on.  Often, the best new music is that referred by a friend.  Please feel free to send me your comments and recommendations.

Special note: There are still three or four late 2012 releases that are either enroute to me, have yet to be released or have just arrived.  I need to spend proper time listening to and absorbing these albums.  Rather than delaying this list further, and if after listening to those last 2012 releases I feel that they hit a sweet spot, I’ll review those albums in early 2013.  I know of at least two 2012 releases that I’ll likely not receive until 2013.

I have three categories: Albums (12), Individual Tracks (6), and Special Releases (3) that don’t necessarily fit into a category.

Albums (Artist – Album Title – Record Label)

T&Y TLOF

1) Twigs & Yarn – The Language of Flowers – Flau

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2) Lambchop – Mr. M – Merge Records

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3) Zammuto – Zammuto – Temporary Residence

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4) Steve Hackett – Genesis Revisited II – Inside Out Music

12k-faint-cover

5) Taylor Deupree – Faint – 12k

BillowObservatory

6) Billow Observatory – Billow Observatory – Felte

12k10701Gareth

7) Gareth Dickson – Quite A Way Away – 12k

Pill-Oh KL

8) Pill-Oh – Vanishing Mirror – Kitchen. Label

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9) Brambles – Charcoal – Serein

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10) Almost Charlie – Tomorrow’s Yesterday – Words On Music

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11) Cody ChesnuTT – Landing On A Hundred – One Little Indian

SM DEEP

12) Stick Men – Deep – Stick Men Records

Individual Tracks (from other albums)

 

1) Library Tapes – Sun peeking through (from the album Sun peeking through) – Self Released

2) Cock & Swan – Orange & Pink (from the album Stash) – Lost Tribe Sound

3) Alex Tiuniaev – Daylight (from the album Blurred) – Heat Death Records

4) Kyle Bobby Dunn – In Praise of Tears (from the album In Miserum Stercus) – Komino

5) Kane Ikin & David Wenngren – Chalk (from the album Strangers) – Keshhhhhh

6) Olan Mill – Bleu Polar (from the album Paths) – Fac-ture

Special Releases

Celer Machinefabriek

1) Celer & Machinefabriek: Maastunnel/Mt. Mitake, Numa/Penarie, Hei/Sou – Self Released

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Darren%20McClure%20artworkThe%20Green%20Kingdom%20artwork

 

 

 

 

 

2) Birds Of A Feather: Michael Frommer – The Great Northern Loon, Porya Hatami – The Black Woodpecker, Darren McClure – The Black Kite, The Green Kingdom – The Great Blue Heron – Flaming Pines

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3) Simon Scott, Corey Fuller, Marcus Fischer, Tomoyoshi Date and Taylor Deupree (Recorded live in Japan October, 8, 2012) – Between (…The Branches) – 12k

Record Labels Noted Above

Flau: http://www.flau.jp/

Merge Records: http://www.mergerecords.com/

Temporary Residence LTD: http://temporaryresidence.com/

Inside Out: http://www.insideoutmusic.com/

12k: http://12k.com/

Felte: http://www.feltesounds.com/

Kitchen. Label: http://www.kitchen-label.com/

Serein: http://www.serein.co.uk/

Words On Music: http://www.words-on-music.com/

One Little Indian: http://indian.co.uk/shop/landing-on-a-hundred-1.html

Stick Men Records: http://stick-men.net

Library Tapes: http://librarytapes.com/

Lost Tribe Sound: http://www.cockandswan.com/ Note: I have not listed the weblink to the record label as Google has noted that the website MAY be compromised.

Heat Death Records: http://www.heatdeathrecords.co.uk/

Komino: http://kominorecords.com/

Kesh (Simon Scott’s label): http://www.keshhhhhh.com/

Facture: http://www.fac-ture.co.uk/

Machinefabriek & Celer: http://machinefabriek.bandcamp.com/ & http://www.thesingularwe.org/fs/

Flaming Pines: http://flamingpines.com/


Twigs & Yarn – The Language Of Flowers

Flau28 CD – Time: About 43 Minutes (Also available in 12” vinyl LP)

Artists Website: http://www.twigsandyarn.net         Record Label Website: http://www.flau.jp

Mastered by: Nick Zammuto: http://www.zammutosound.com

Tracks (*Note: Track order according to iTunes readout appears to be in reverse order, although the music order is correct.  The track order that follows is properly sequenced with the sound files on the CD and has been confirmed with the artist.)

1) Laverne; 2) Static Rowing; 3) If Were An Artery; 4) Conscious Strings; 5) Mermaid Wetness; 6) An Honest Moment; 7) Rosy Cheeked Pumpkin; 8) Bristle Of Mundane; 9) Flowers Thirsty; 10) Marigold Ride; 11) Strings Of Complacency; 12) Learning To Glisten

I sometimes listen to shortwave radio, late into the night, or in the early morning, as signals and sleep drift; voices and sounds emerge and disappear.  Every so often my radio will lock in on a clear signal, and for a time there are voices from foreign lands, interesting new music, field correspondents reporting, or the strange sounds of open carrier frequencies waiting for a signal to fill them.

The Language Of Flowers is the enchanting (and often quirky) new album by Twigs & Yarn, and it has some parallels to late night radio listening, a mixing of familiar sounds, music and fleeting recollections.  Both artists and musicians, Stephen Orsak resides in Texas, and Lauren McMurray is in Japan, and their work takes shape over the airwaves, satellites and international cables via computers and ftp servers.  I didn’t discover Twigs & Yarn on my own; I have Michael Cottone of The Green Kingdom to thank for introducing me to their works.  I come across new artists by exploring record label websites, visiting the few record shops that are left and (often the best method), word of mouth from musicians and friends.  I don’t yet have the LP version, but the CD is packaged in a letter-pressed hand decorated collage (each one is slightly different).

The album opens with the mysteriously diaphanous Laverne, which shimmers like filtered sound-light on a bright morning, then passes quickly into the gentle swaying of Static Rowing.  The fourth track Conscious Strings is both the clear reality of a solo acoustic guitar, combined with the meandering voices of a daydream.  Some tracks seem to blend together as observations shift, and there is peaceful warmth in the sounds of a given day, whether inward looking as in Mermaid Wetness (with ingeniously repeated cadenced sound-samples) or outward as in the strangely discordant An Honest Moment which merges into street sounds, bells, voices, and then into a tranquil music box and electric guitar reflection in Rosy Cheeked Pumpkin reminiscent of Daniel Lanois’ pedal steel work on his album here is what is.

Bristle Of Mundane is an unexpected contrast, which opens with a heavily-distorted music box, eventually settling into gentle waves.  The experience of late night radio listening is present in Flowers Thirsty, tuning in and out from pop-music radio samples to a distant ebb and flow of music and whispers, the mind drifts late into the night, until being awakened by the radio-alarm (this is my favorite piece on the album, mysterious and great keyboard sounds).  The gentle pulsing organ of Marigold Ride contains a soft repeated vocal, flowing into acoustic guitar of Strings Of Complacency (sounding a bit like some recent solo guitar work of Ant Phillips combined with light treatments from Eno’s Julie With from the album Before And After Science).  Learning To Glisten is the postlude to the album, the purest of all the tracks, with little sonic movement, and is a soothing close.

 

The Language of Flowers is like rotating a radio tuning knob late at night, or peering into a window overlooking a secret garden, or ephemeral visions in a dream.  It’s an assemblage of existence all around, from the broadest landscapes down to the tiniest whispers, and even memories of childhood games as in the gently spirited and delightfully melodic third track, If I Were An Artery.  The music, field recordings, samples and instrumentation are assembled with an idiosyncratic aplomb that yield a very cohesive and soothing quality, like a less energetic, more contemplative version of works by The Books combined with gossamers of the dearly departed Sparklehorse.  So, it makes complete sense that Nick Zammuto (ex-Book) mastered this album; a symbiotic chemistry.

Videos

Static Rowing

 

Mermaid Wetness

 

Marigold Ride

 


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